双城记英文观后感_双城记读后感英文

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双城记英文观后感(精选多篇)第一篇:双城记 爱—幸福的基本元素-----------双城记观后感

itwasthebestoftimes,itwastheworstoftimesitwastheseasonoflight,itwastheseasonofdarkneitwasthespringofhope,itwasthewinterofsadneitwastheyearonethousandsevenhundredandseventy-five不得不承认这本书的开头就深深地吸引了无数人。书的开头就如那个错综复杂,矛盾。

《双城记》以法国贵族的荒淫残暴、人民群众的重重苦难和法国大革命的历史,来影射当时的英国社会现实,充分展现了两座城市的状况。《双城记》被誉为描写法国大革命的最杰出的代表作,我想最大的原因可能是因为它的与众不同。和其他的作品,比如卡莱尔的《法国大革命》不同,狄更斯更注重的是底层人民的喜怒哀乐。尽管在那个时代,这些小人物本身并不能引起世界的关注。但是作者敏锐的捕捉到这些小人物和大革命有着千丝万缕的联系,可以说法国大革命本身就是有小人物们的力量所引发的。

在这部作品里,我看到了很多很多不同的人。;lucie是爱和温情的化身;drmanette正直高尚,且善良宽容,是仁爱的理想化身忠厚老实的lorry豪爽忠诚的miprocharlsdarnay是给统治阶级指明出路的人。这些人物表现出来的种种美德,都是作为人道主义者的狄更斯所热情赞颂的。扭曲了人性的德发奇太太,残忍阴险的埃佛瑞蒙兄弟……复杂的仇恨纠缠不清,残忍的复仇制造了更多仇恨,爱在地狱的边缘再生,却是以生命为代价。这错综复杂的一幕幕,活生生的展现在面前,仿佛重现了那个失去理智的时代。

《双城记》作为一部不朽的著作,如果drmanette的存在和所作所为,这部小说就失去了它的价值和光辉。它提醒了我们:真正的自由与平等是无法用断头台建立。

dralexandrenmanette的身世很值得人去琢磨,到底受到多大的冤屈,多大的经历,多大的思想创伤,都令我们去思考。十八年的牢狱生活不仅摧毁了他的身体健康,也使得他的精神遭受严重的伤害。十八年不见阳光,不知外面冷暖的日子,没人任何亲人的消息,没有任何人间的温暖的牢狱里,他依然保持着那颗正直高尚的心。即使经历了那样不公平的待遇,他并没有像madamedefarge那般有一种惧怕的感觉,冰冷、毫无人情,充满仇恨。他受到女儿的关心后,恢复成一个正常的人,并继续发扬着他救死扶伤的医者精神。没有沉浸在复仇的泥塘里,而是尽情地享受和心爱的女儿,友好忠诚的朋友在一起的美好时光。我十分敬佩他,也非常欣赏他的正直,宽容。更是被他的明智,通情达理深深感动。哪怕知道charlsdarnay就是让他无辜遭罪的贵族的儿子,他依然将自己心爱的女儿交与了他,不为别的只为他们真心相爱,为他能带给善良的lucie幸福快乐。他最终展现的,是一位作为父亲,用爱关心自己的女儿的情节中我们可以感受到爱是人间最好的疗伤药。他无疑是不幸的,但是他的不幸是残暴的法国统治阶级和残忍的贵族造成的。是那个糟糕的时代的造成的。但是我们还是能明显的感觉到他的幸运。而他的幸运是他自己创造的。即使经历了十八年的痛苦生活,尽管他的精神确实收到严重的打击。他却不选择报复。就是这个明智的选择让他拥有了幸福。难道我们不该赞扬他,向他学习吗?

“复活在我,生命在我,信我的人,虽然死了,也必复活;凡活着信我的人,必永远不死。”这就是狄更斯为“最坏的时代”开出的良药,然而这毕竟是一种理想。有人说,鲜血无法洗去仇恨,更不能替代爱---贵族的暴虐对平民造成的伤痛不会因为鲜血而愈合,平民对贵族的仇恨也无法替代对已逝亲人的爱。这本小说悬念很多,铺垫很充实,是那种越看越明白的,就像一条条小溪逐一地汇聚,最后成了奔腾的大江,使人越看越激动,越看越想看。这部作品终究还是善与恶的对抗,善的胜利,令人激动地收场了。同时也让我们深思,复仇到底是否值得人们去做。人们常常歌颂爱的伟大,或许就是因为爱的力量能让深受苦痛的人们重见幸福的光芒吧。

第二篇:英文-双城记读后感

ataleoftwocitiesisoneofdickens'smostimportantrepresentativeworksthenovelprofoundlyexposedthesocietycontradictionbeforethefrenchrevolution,intenselyattacksthearistocraticsocialclaisdioluteandcruel,andsincerelysympathizeswiththedepreedclaesthenovelalsodescribedmanymagnificentscenesliketherevoltpeopleattackedbastilleandsoon,whichdisplayedpeople'sgreatstrength thenovelhasportrayedmanydifferentpeopledoctormanetteishonestandkindbutsuffersthepersecutionactuallylucieisbeautifulandgentlelorryisuprightandhonest,charlesisgracefulandnoble,,sydneyiemblanceofindifferent,innermostfeelingsofwarm,unconventionalbutalsoselfleandloftymiproitraightforwardandloyal,evremondebrothersarecruelandsinisterthecomplexhatredishardtosolve,thecruelrevengehasmademorehatreds,lovesrebirthinthehelledge,buttakethelifeastheprice asanoutstandingwriter,indickens'swork,thelanguageskilliseentialeachkindofrhetorictechnique,liketheanalogy,theexaggeration,thecontrast,thehumorous,andthetauntarehandledskillfully,andtheartistryoftheworkisalsodeliveredthepeakataleoftwocitieshasitsdifferencewiththegeneralhistoricalnovel,itscharacterandthemainplotareallfictionalizeswiththebroadrealbackgroundofthefrenchrevolution,theauthortakethefictionalcharacterdoctormanette'sexperienceasthemainclue,interweavestheunjustcharge,loveandrevengethreeindependencesbutalsoincidentcro-correlationstoriestogether,theplotiscri-croed,andtheclueiscomplextheauthoruseinsertnarrates,foreshadowing,upholsteryandsomanytechniques,causesthestructureintegrityandstrictne,theplotwindinganxiousandrichoftheatricalnature,itdisplayedtheremarkableartisticskillthestyleataleoftwocitiesiolemnityandmelancholy,fillsindignantion,butlacksthehumoroftheearlyworks 第三篇:双城记赏析英文

1fullofromanticelementsinthesuspensenovel---ataleoftwocities xxstrongromanticelementsindickens’novelitisgenerallyregardeddickensasarealist,butnotaromanticwriterhowever,frenchhistoriankazhathinksthatdickensiseentiallyaromantic,heclaifieddickensandthebrontesistersasaromanticwriter,tothackeraycalledrealistshisargumentonthelaterresearchondickensisveryenlighteningbritishnovelist,georgegiingandjesterdaytonfoundtheromanticismindickens’creations,giingthinkthatdickensandshakespeare,arethesupremeidealist,heevendirectlycalleddickensa“romanticrealism”[1];jesterdaytonthatshapedthecharactersofdickensisnotapersonlike“god”,hecalledenglanddickens,“thelastmythofwriters,perhapsthegreatestmythofwriters”[2]modernbritishpoettseliotsaidthat“dickens'scharactersandthecharactersdanteandshakespeare,like,allbelongtothescopeofpoetry”[2]indeed,thespiritofidealismtotheromanticwaydickenscanneverexcludeinhiswork,romanticloveisoftendescribed;thestruggleofgoodoverevilisromantic;figureofjoysandsorrowsoflifeanddeathisoftenromanticpartingspecifictothe“taleoftwocities,”thenovel,carltonandprocompleteoftheirnobleactsareontheveryromantic,evenwhencruncherfrombadtogoodarealsoveryimpaioned,romanticandexcitingatmosphereataleoftwocitiesisatruereflectionofthetimesthatallkindsofconflictanddiscord,quirks,depreion,vitalityandtheirunusualwealthalthoughthedetailsofcharlesdickensdescribedunique,thecharacterharpanddetailedobservationoftheexternalcharacteristics,hemaybedescribedasa“realist”isnotappropriate xxasuspensenovelwithwonderfulstorydickensisgoodatcreatingsuspenseataleoftwocitiesisparticularlysuccefulindramatizedtheplightofindividualswithpersonalityconflictsbyagoodstructureandthetenseatmosphereinthesocialhistoricalbackgroundatthebeginning,thewriterdidn’ttellusthereasonwhydtmanetteasaprisonforxxyearswhencharlesdarnayasktodrmanettethathewanttomarrylucie,manetteseemedtobeawareofwhatcauseforalarm,againandagaintostopdarnay,askedhimtorepeatthemorningofthemarriage;thesameevening,manetteagainfallill,thespiritofitlostinthedaysofthebastille even(本

荐好:)wonderedforamomentthereader,however,notbeexplaineddickensreaderscannothelpasking:whatisthelinkofdarnay'slifeexperienceandmanette?untiltheendofthebook,peopleknowsthelinkofdamayandmanettebyuseofsuspense,dickensmakethemanetteasapersonwhoseethebrightsideofhumannature,andbringawonderfulstoryandthebeautyofworksofartforreaders 2thebenevolencespiritandinthenovel xxthejustificationoftherevolutionataleoftwocities“waswritteninthexxthcenturyxx's,aperiodofrapideconomicdevelopmentofcapitalismthecapitalistdevelopmentbringsevilsandimpoverishmentofworkingpeople'slivesleadthebritishsocietytotheedgeoftheoutbreakofasocialrevolutionasearlyasxx~xxyearsinxxc,theworkingclatofightforpoliticalrights,onagrandscaleacrothecountrylauncheda”chartermovement“whichlenincalledastheworld'sfirstbroad,trulyma,political,proletarianrevolutionarymovement[3]andthismakesdickensclearlyawareofthexx'sbritainandxxthcenturyfrenchsocietyisverysimilarforthisreason,hedecidedtocreateanovelsetinthefrenchrevolutiontocriticizethebritishsocialreality,provideareferenceforthecontemporaryenglish,itisthebackgroundthatthenovel”taleoftwocities“inxxxxcomeout”taleoftwocities“isahistoricalthemeofthenovel,butdickens'sfocusisfirmlytargetedatthereallifeworksofthelatexxthcenturyfrenchandbritishsociallife,extensivedescriptionsofthefrenchrevolutionbrokeouttoexploretherootcausesaretothefrenchrevolution'svariouocialcrisisandtherealityofbritishsocietytogether,inanancientmetaphorforthemodernuseofway,warnedthebritishrulersofthebourgeoisie:thecruelexploitationandoppreion,thepeople'sextremepovertyistherootoftherevolution,ifnotalleviatethesufferingofthecivilianpopulation,thenthecurrentoutbreakofrevolutioninbritainisinevitablenovelstosocialconflictsbeforethefrenchrevolutionshowsverydetailedandreal,whetherincitiesorinruralareas”,hungerrampanteverywhere“,themajorityofthepeopleto”mulberrygra“forthefood,whiletheupperclaisextravagant,bullypawomen,amongthecountrydonotsee”afacewithanyrespect,“unbearableoppreion,thepeoplearereadyto”hangwitharopeandpulleytotheenemy“in xxxx,charlesdickensonthe”taleoftwocities“creativeexperience,said:”ispentalotoftimeandefforttocreate“taleoftwocities”,afternumerouschanges,finallysatisfiedabletorepaymycreationyoureffortinanywayanymoneyandotherthings,butthenovel'sthemeofthemeaningandthejoyofcreationiscomplete“[4]indeed,thedeepthinkingofthisfordickens,regardleoftheirhistoricalsignificancerevealedandsocialsignificance,orpoeitsownaestheticvaluesareworthydescendantsminingandexploration xxforgivenethoughtandthebenevolencespirit”taleoftwocities“isacontroversialnovel,thelowerrevolutionaryimagemadamedefargeofthenovelimpactaementisanimportantfactorliangshiqiusaid:”dickensreadthecarddependsonwhichofthe“frenchrevolution”,wasdeeplymovedanddeterminedtotrytowriteahistoryoftheromanskarayandsenttwocarsforhisreferencebook,butmostarenotcharlesdickenscanadausedbecausehedidnotwanttowritethehistoryoftherevolutionhavebeencareyandthebeststructureintheformer,nottowritetheneceary,aslongashecapturestheatmosphereofthatera,withastorytoillustratethebloodshedwillonlyleadtomorebloodshed,onlylovecansavetheheartsofcatastrophe“[5]thisisinsightfuldickensisthefrenchrevolutionastheonlycarriertoreflectthesharpclaantagonismsandintenseclatruggle,asreflectedinthisclaantagonismandclatrugglehahownawiderangeofpeopleandhumannature,theexpreionofspecificeventsthatgoesbeyondandhaveamoregeneralsenseofthingsdickensinthenovelshapedthewaylucie,manette,darnayandcarltontheidealofhumanitariancharacter,inthattheyembodiedakindofhumanityasthecoreofthechristmapiritbestembodiesthespiritofthislovetobepartofthebritishlawyercarlton,purelyforlove,hisunconditionalpracticethe”iwantforyouandyourlovedonesandmakeallthesacrifices“ofthepromise,helplucie'shusbandescapetheprisontoarrangearoadawayfromthedanger,whilehereplacedarnayontheguillotinethelordsaid:iamtheresurrection,lifeisinme;believesinme,thoughdead,yethewilllive;whoeverlivesandbelievesinmewillneverdie”intendedtoemphasizethespiritofcarlton'sbenevolenceandaltruismworldforever conclusion ataleoftwocitiesbycharlesdickenhowseffectivelythenovelist’saimtopointouttheinjusticeofoppreionandthejustificationoftherevolutionhowever,dickenhowshitrongcriticismontheexceofbloodshedduringthefrenchrevolution,especiallyinhisconsiderationoftheinnocent(likecharlesdarnay)beingpunishedalongwiththeguiltyhefeelsthattheoldwaysofoppreionmustbechanged,andthatmuchoppreionandmuchmiseryinevitablyleadtorevolution,butwhentherevolutionactuallycomes,hethinksthatitistooviolentandthatthelebloodshedthebetterthechiefandthebestportrayedfigureisthebenevolencespirittheleaderoftherevolution 第四篇:双城记英文读后感 mycommonsonataleoftwocities asweallknow,charlesdickens'novelataleoftwocitiesisanovelbasedonthefrenchrevolutioninthelatexxxxsinthatterribletime,everymomentwasfullofgreatfearbeforethatgreatrevolution,thecommonpeople,especiallythepeasants,werepoor,hungryandunhappythekingandthenoblemenmaltreatedthepoorinmanywaysbuttheyhadneverfeltalittleashamed,onthecontrarytheythoughttheycoulddobadthingsinthenatureofthings asanoutstandingwriter,indickens'swork,thelanguageskilliseentialeachkindofrhetorictechnique,liketheanalogy,theexaggeration,thecontrast,thehumorous,andthetauntarehandledskillfullyandtheartistryoftheworkisalsodeliveredthepeaktheauthoruseinsertnarrates,foreshadowing,upholsteryandsomanytechniques,causesthestructureintegrityandstrictne,theplotwindinganxiousandrichoftheatricalnature,itdisplayedtheremarkableartisticskillthestyleataleoftwocitiesiolemnityandmelancholy,fillsindignation,butlacksthehumoroftheearlyworks besides,thisnovelcriticizestheviolenceandoppreioninthesocietyinthisnovel,theauthornotonlyexpreeshishumanitarianismonthelovebetweenhumanbeings,butalsoexpreeshisviewaccordingtohiscriticstotheviolenceandoppreioninthatsocietytheauthor expreeshisopinionontwopartsfirst,hecriticizesthearistocrats,esptherepresentativemarquisofevremondesecond,healsocriticizestherevolutionariesinthefrenchrevolutionhowever,whenweseefromthedescriptionofthecouple,theauthordoesnotthinkhighoftherevolution whatismore,thisnoveladvocatesthechristianloveandself-sacrificecharlesdickens'novelataleoftwocitiesiseentiallyataleoflove,sacrifice,and,mostimportantly,resurrectiondrmanette,charlesdarnay,andsydneycarton,alldesperatemenleadingcatastrophiclives,makegreatsacrificesinordertoattaintruephysical,spiritual,andsocietalresurrectionforthemselvesandtheonestheyloveinthisnovel,theauthorportrayometypicalcharactersthatembodytheauthor’sview ultimately,ataleoftwocitiesiseentiallyataleoflove,sacrifice,andmostimportantly,resurrectionthroughpersonalsacrificesorsacrificesforthosewhotheyloved,itshowsthehuman’svirtueandintegritybystrugglingfor,huntingfor,andsacrificingforabetterlife,allofthemaincharactersareforeverresurrectedintheheartsofthosetheyloveforever 第五篇:双城记英文读书报告 thereportoftheataleoftwocities recently,ireadataleoftwocitiesithinkthatit’sagoodnovel first,iwanttointroducetheauthorofthisbookhisnameischarlesdickens,heisanoutstandingwriterheisoneofthegreatestwritersinthexxcenturyhowever,hehadapainfulchildhoodhewasarrestedwhenhewasxxyearsoldduetohouseholddebthehadonlyafewyearsoflearningso,inhisearlyyears,hisworksaremoreaboutthepainfulchildrenhecriticizedtheblackofcapitalismandhadthesympathyforthepoornow,letmeintroducethisnovelthebackgroundofthisbookisthefrenchrevolutionbeforetherevolution,theyoungdoctormanettewitneedtheguiltyofthefrenchmarquiohewasarrestedinthebastillebythemarquisaftertwoyears,hiswifediedhisdaughterluciewaendtolondonbyhisfriendslorryandadoptedbythemiprowhoisamaidservantafterxxyears,hewasreleasedfromthebastilleandwastakencarebyhisoldservantdefargehisdaughterwantedtotakehisfathertolondoninthetravel,shemetthesonofthemarquischarlesdarnaywhohatedtheguiltyofhisfatherandunclethentheylovedeachotherandnow,charlesdannay’sfatherhaddied,somanettewantedtoforgetthepainfulmemoryandhopedhisdaughterhappysoheagreedwiththeminxxxx,francebreaktherevolutionallofthemarquiseswaendtotheguillotinebecausethedarnaywasamarquiothedefargereadthereportwhichwaswrittenbythedoctorthendannaywaentencedtodeathnowcartonwhoalwayshiddenlovedluciewenttotheprisonandhepretendeddannaysodannayescapedtheprisonandcartonwaskilledhowevermadamedefargestillnotgaveupshewantedtokilleddannay’swifelucieandtheiryoungchild;finallyshewasburnedbythepro afterreadthisnovel,letmeknowaboutthefrenchrevolutionithinkthepeoplewholivedinthatperiodwerenotluckythepoorwereverysadtheyweretooblindneandiwasmovedthecarton,hediedforhislove,andilikehimverymuch 姓名:张喜华

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